process

Cars & Trains Singer/Songwriter Tom Filepp

Tom Filepp is one brave soul.  

That's what I thought the first time I saw him perform.  All alone on a stark, blank stage in New Hampshire (or was it Maine?), musical gadgets and gizmos blinking and syncing all around him.

Me? I can barely get my guitar in tune and my amp to work, much less fiddle around with different pedals or stompboxes.  That's why I don't use 'em.  I keep things simple and concentrate on my touch.  But I'm just a guitar slinger.  

What does Tom sling?

Gregory Pepper

It is a very tricky thing to introduce you to Gregory Pepper.  In fact, it was so intimidating that for awhile I put it off.  Finally, I stopped being such a baby and decided to ship this interview with Pepper because by now he's probably thinking: "WTF, Schutt?!  What ever happened to that interview you asked me to do??" 

Here goes ...

Who is Gregory Pepper?  

He is a man of many nicknames: Peps, Pep Pep, Pepper, GP.   

He is a man of many bands and band names: Gregory Pepper and His Problems, Common Grackle, Big Huge Truck (to name only a few). 

He comes from the Royal City of Guelph, Ontario.  Guelph (pronounced "gwelf") is the best little gem of an Ontario town.  I lived there for seven years.  I call it the "Austin, Texas of Canada."  

Augusto Monk

Multi-instrumentalist Augusto Monk is one of my oldest musical friends.  He's been in the trenches with me since we first met at Berklee College of Music way back when.  We would meet in the school's shitty little practice rooms with the broken-down pianos at midnight almost every night of the semester to practice ear training together.  We'd stay until they kicked us out at 2am.

Originally from Argentina, he's lived in Boston, London, and now Toronto.  His music is equally as nomadic.  At any given time, I have no clue what instrument he is playing, what kind of music he is making, or if he is even making music at all -- sometimes he paints, draws cartoons, or makes films

(PS: watch the entire film; the password is Brass)

We go a long time without seeing or talking to each other, but when we do, we always fall into deep discussions about the nature of making music.  Invariably, we wonder: did those endless nights of ear training teach us anything? Anything at all?  Or were they just an exercise in stamina?  Or was that the point?

(This interview is part of the TENACITY series.  Read the FAQ here.)